Monday, September 23, 2013
Monarchy and the Arts
As a
monarchist musician, I am intrigued though not surprised by the common
enemies that royalists and arts advocates face. First it was Mark
Oppenheimer (Americans who watch the royal wedding are traitors/kids
shouldn't take music lessons), now the perhaps even more execrable
Hamilton Nolan (the British monarchy should be abolished and the royal
family imprisoned/don't give a dollar to the New York City Opera). Classical music could not have developed without royal
patronage, and European royal occasions would not be as grand without
classical music. Music and Monarchy go together brilliantly, as David Starkey recently explored, and even non-royalist musicians should be
wary of the utilitarian, bean-counting, egalitarian arguments employed
by anti-royalists as they can be easily turned against the Arts as well.
What ought to unite monarchists and musicians is a commitment to the
Good, the True, and the Beautiful as valuable for its own sake.
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2 comments:
I'm sorry I missed this excellent post until now. One of the strongest arguments for monarchy is that the fine arts flourish from royal patronage: a beautiful institution supports beautiful things. Republics, on the other hand, tend to support ugly propaganda.
I would argue even a stronger connection.
Words are not only used artistically, as in prose literature, poetry, and song, but also in law and customs, and to define things. If we revolt against monarchy, not only do we revolt against beauty in the arts, we revolt against the true definitions of words and therefore we revolt against morality and reality. We act like Humpty Dumpty in "Through the Looking-glass"--and let's not forget what happened to Humpty Dumpty in the end.
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